Author Archives: admin

A balanced account of ‘quality’ in Hollywood – and a shameless plug!

Here’s something of a novelty, a journalistic piece about contemporary Hollywood that for once adopts a balanced approach to the subject of whether or not the studios still make any of the kinds of films that are still critically lauded … Continue reading

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marketing departments in film and academic publishing

I’m working on a new book project that’s an analysis of the various ways in which art cinema is positioned as something of special cultural value. Among various other perspectives, I’m considering the marketing of such films. While marketing devices … Continue reading

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Two new indie collections

Just wanted to give a mention to two new edited collections either about or relevant to American indies (OK, I’m also plugging the fact that I’ve got an essay in each of them!). First is US Independent Film After 1989: Possible Films, … Continue reading

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Sovereign Masculinity

Just finished a terrific book on issues relating to gender and American culture, particularly in relation to the so-called’ ‘war on terror’: Sovereign Masculinity: Gender Lessons from the War on Terror, by Bonnie Mann (Oxford UP, 2014). Mann offers a very … Continue reading

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Indiewood riding high in Oscar nominations

Whatever assorted rows and debates might accompany this year’s Oscar nominations, they demonstrate again the continued strength of the Indiewood and indie sectors as far as scoring well in these commercially valuable prestige stakes is concerned. The nominees can be … Continue reading

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Happy Endings and markers of distinction

Indie films often mark their difference from the Hollywood mainstream through their resistance to the kinds of happy endings associated with studio films. That Hollywood films always have, or have had, such endings, or that they are as simplistic and/or … Continue reading

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Hollywood Puzzle Films

This is just a shameless plug for a chapter I have in a new book just out, Hollywood Puzzle Films edited by Warren Buckland (a new AFI Film Reader from Routledge). My chapter is one of several on Inception, in which I explore … Continue reading

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Ibsen’s gun, Llewyn Davis and White House Down

An odd mixture of elements, it might seem, but something I wanted to comment on in passing in Inside Llewyn Davis evolved somewhat after a viewing last night of White House Down. Comparing such films might seem a little spurious, … Continue reading

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Filling the speciality gaps?

Interesting to see who is stepping in to fill some of the gaps in the speciality distribution market after the contraction of studio divisions, including the likely pull-back of Focus Features discussed in my last post. CBS Films, for example, … Continue reading

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Focus pulled?

What, then, of the future of Indiewood, in the shape of the studio speciality divisions, now that Universal’s Focus Features has become the latest target for what looks like studio rationalisation? The news that James Schamus has been removed as … Continue reading

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